Wednesday, 1 July 2009

Icons

In the combox of a post about sacred art and music on Madame Evangelista’s blog, Madame Evangelista and Turtle have been pondering the “transgressive nature of icons as windows to divinity”. Googling “transgressive” and “icons” only seems to turn up articles about the theory of Hollywood celebrity, but I did find the following semi-official definitions of how Orthodoxy understands icons. The idea of a window onto heaven appears in both extracts. Comments from Orthodox and Catholic readers would be most welcome.

Icons are images of Christ, of His angels, of His saints, and of events such as the Birth of Christ, His Transfiguration, His death on the Cross, and His Resurrection. Icons actually participate in and thus reveal the reality they express. In the image we see and expe rience the Prototype. An icon of Christ, for example, reveals something of Christ Himself to us. Icons are windows to heaven, not only revealing the glory of God, but becoming to the worshiper a passage into the Kingdom of God. The history of the use of icons goes back to the early Church – Tradition tells us Luke the Evangelist was the first iconographer. Orthodox Christians do not worship icons, but they honor them greatly because of their participation in heaven's reality.

From the website of the Antiochian Orthodox Christian Archdiocese of North America


An icon is a holy image which is the distinctive art form of the Orthodox Church. In actual practice the icon may be a painting of wood, on canvas, a mosaic or a fresco. Icons depict such figures as Christ, Mary the Theotokos, the saints and angels. They may also portray events from the Scriptures or the history of the Church, such as Christmas, Easter, etc. Icons occupy a very prominent place in Orthodox worship and theology. The icon is not simply decorative, inspirational, or educational. Most importantly, it signifies the presence of the individual depicted. The icon is like a window which links heaven and earth. When we worship we do so as part of the Church which includes the living and the departed. we never lost contact with those who are with the Lord in glory. This belief is expressed every time one venerates an icon or places a candle before it. Many Orthodox churches have icons not only on the iconostasion but also on the walls, ceilings, and in arches. Above the sanctuary in the apse, there is very frequently a large icon of the Theotokos and the Christ Child. The Orthodox Church believes that Mary is the human being closest to God. This very prominent icon recalls her important role in the Incarnation of the Son of God. The icon is also an image of the Church. It reminds us of our responsibility to give birth to Christ's presence in our lives. High above the church, in the ceiling or dome, is the icon of Christ the Almighty, the Pantocrator. The icon portrays the Triumphant Christ who reigns as Lord of heaven and earth. As one gazes downward, it appears as though the whole church and all of creation comes from Him. As one looks upward, there is the feeling that all things direct us to Christ the Lord. He is the "Alpha and the Omega," the beginning and the end. This is the message of Orthodoxy.

From the website of the Greek Orthodox Archdiocese of America


4 comments:

Fr. Christian Mathis said...

After reading the comments you mentioned, I think what they mean by transgression is that in a mystical way, icons participate in the world in which they reside. They are not primarily meant to be conveyors of art, but rather theology. They are both windows to and from heaven.

Mark said...

Fr Christian - exactly; hence the deliberate lack of perspective in icons, which gives theological expression to the idea that they mark the point at which secular space (is that the correct term?) meets "sacred space".

madame evangelista said...

Mark, Fr Christian, that's very interesting. I'm not sure that I would be ready to make that leap for the meaning or existence of icons; but the way icons are described in those quotes and in your comments is almost exactly what I feel about the liturgy.

Fr. Christian Mathis said...

Mark,

Yes, since icons make use of reverse perspective, the vanishing point is the viewer. As far as the meaning goes, it was defined in the seventh ecumenical council of the Church and really has more to do with the Incarnation than with anything else.

Peace,

Fr Christian